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Marx’s Perceptive on Five Easy Pieces
Bob Rafelson’s Five Easy Pieces is about the inner pain and suffering that consumes people in all walks of life An ex- piano prodigy, Robert Eroica Dupea leaves the piano behind to work as an oil rigger. The reason why he leaves is unclear but the viewer is left to perceive that Dupea is afraid of his genius and sets out to find the essence of himself. There is a humanity, an honestly in the lives of the people Dupea surrounds himself with that he admires but cannot find in himself. However, he patronizes their lives and feels superior to them. He dates a gum-smacking, wannabe country singer waitress from a diner but constantly cheats on her. Other than work and sex, he spends his time bowling with pals. Even though he chooses his lifestyle, Dupea is still dissatisfied with his life. Frustrated, he erupts into fits of torment and rage that obliterate his mask of sanity because he cannot escape the life he has left behind. The movie is just like its protagonist, in that buried beneath a disguise of superficiality lies brilliance, passion, and pain.
From the beginning to the end of the film, Five Easy Pieces highlights major key concepts of Marx’s theology. The film ties the abstract into everyday life, enabling the audience to better understand Marx’s social arguments. Based on the film, Marx would argue that the blue collar world that Dupea lives in is suffering from social class issues and the commodity fetishism that the society has imposed on them. Marx would enjoy the film since it demonstrates the ramifications of capitalism, and the subtlety with which it encroaches on society, causing dissatisfaction with life.
One of the central themes in the film along with Marx’s theology is social class. Marx defines social class as a social group that has control over the means of production. Marx describes the bourgeoisie to be members of the upper class whose status comes from employment, education and wealth...